A Good Marriage 2014 720pHD
A Good Marriage 2014 720pHD
Genres: Drama, Thriller
Director: Peter Askin
Writer: Stephen King (short story)
Stars: Joan Allen, Anthony LaPaglia, Stephen Lang
A Good Marriage is a 2014 American mental thriller film in view of the novella of the same name by Stephen King, from the 2010 accumulation Full Dark, No Stars. It stars Joan Allen, Anthony LaPaglia, Kristen Connolly and Stephen Lang. It was discharged on October 3, 2014.
Film Story: Following 25 upbeat years of marriage, Darcy (Joan Allen) finds her better half's vile mystery, and understands she must take radical measures to shield her developed kids from the presentation of that mystery.
Film Review: It's an inquiry as old as time, or if nothing else as old as silver screen: What is the most ideal approach to adjust a composed story for the screen? In the previous century, numerous have fallen on this rough street, getting knocked off base in the potholes of decreasing plots to a hour and a half or throwing characters in fragile living creature and-blood structure. So given the extent of the battle, there can be a sure level of feeling sorry for compassion in watching a film generation so completely come up short at breathing life into a novel. However, on account of Peter Askin's A Good Marriage, in light of the novella by Stephen King, assembling such liberality requires immeasurably an excess of exertion.
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A Good Marriage starts with a man stalking a lady on a stormy night, set to the hints of Francis Thompson's late-nineteenth century ballad "The Hound Of Heaven" read in voice-over. So starts the film's misinformed endeavors to toy with classification (here film noir, with the high contrast shading and smooth wet roads) and a general thickness that exclusive turns out to be more purported as the supposed thriller advances. Tailing this prelude, the film jarringly hops into a rural meal lobby, where Darcy (Joan Allen) and Bob (Anthony LaPaglia) are praising their silver wedding commemoration. Mid-fete, a visitor illuminates Darcy a nearby serial executioner has struck once more. After this unsubtle clue has been dropped, Darcy goes ahead with her life, however Bob's over the top and controlling propensities start to tackle another light. At that point, one night when Bob is away on business, Darcy discovers her better half's porn gathering. A sufficiently typical residential show, however stashed underneath the tissue mags are the IDs of the executioner's casualties. At the point when Bob returns home, a session of feline and-mouse starts.
At its most fundamental level, A Good Marriage concerns the part execution plays in any relationship—the falsehoods that are advised in broad daylight and private to keep the emanation of affection alive. However, A Good Marriage doesn't go any more remote than this expansive figure of speech, not able to burrow further on account of the distractingly stilted script, composed by King himself. In his way to deal with conveying his own story to the screen, the creator gave no thought for genuine execution or silliness, esteeming his dialect over all else. Trades are regularly so constrained it has a craving for King may have been planning to parody the white-picket-fenced presence his characters are occupying, however after the umpteenth inconceivably dull discussion amongst Darcy and her executioner spouse it just feels like a trudge.
With all the heavy exchange measuring the film down, it's difficult to think about Darcy's dramatization (attempt as Allen may to convey some profundity to her frantic housewife). Concerning Askin, his methodology in conveying the story to the screen does nothing to improve the situation: Other than a couple inclined camera edges and foggy dream successions, the general environment is that of an over-lit TV creation. By its decision, A Good Marriage doesn't give an authoritative solution for its main theme, however it makes clear what makes an awful film.
